A Clockwork Afghanistan
The struggle to determine what the United States would become in the 21st century didn’t begin at 9/11. 9/11 consumed America’s attention, but the December 1979 Soviet invasion of Afghanistan was the signature event that made 9/11 inevitable. The invasion of Afghanistan ended détente and renewed the Cold War. At the time it was presented as an open act of aggression by the Soviet Union and declared by President Jimmy Carter to be the most serious threat to peace since World War II. The invasion would establish a new narrative of uncompromising hostility toward the Soviet Union, erase decades of efforts by moderates inside both Soviet and American systems to end the Cold War, would increase defense spending to World War II size levels thereby changing the United States from a creditor to a debtor nation and would firmly establish the arrival of the so called New Right and its aggressive militarist logic on the American political scene.
The root cause of what the United States suffers from today, both politically and economically stems from the psychological warfare campaign triggered by the Soviet invasion of Afghanistan. At that time, Americans responded dutifully if not robotically to the threat as a barrage of propaganda poured from a hoard of foreign policy “experts” claiming vindication for Vietnam while bemoaning America’s military weakness. Zbigniew Brzezinski himself claimed that the Soviet invasion was a vindication of his prediction that the Soviets would be emboldened by a lack of U.S. resolve elsewhere. The shaken president, Jimmy Carter announced a U.S. boycott of the 1980 Moscow Olympics, the creation of a rapid deployment force to the Middle East and a new get tough posture toward the Soviet Union.
On January 2, 1980 the MacNeil Lehrer News Hour presented former U.S. Ambassador Theodore Eliot and Harvard Professor Richard Pipes to speculate on the implications of the invasion. As an unabashed neoconservative ideologue, Pipes should have been considered a controversial choice sitting alongside the thoroughly Eastern establishment Eliot. But on this evening Pipes had been carefully chosen to play the very special role of delegitimizing détente with the Soviet Union while moving the discussion permanently and irretrievably to the neoconservative right. Paired with Eliot, the dean of American diplomacy and soon to be Secretary General for the United States of a gathering of international elites calling itself, the Bilderberg group, the two were there to send the signal that the ideology of neoconservatism, globalism and the institutions of the American government were now one and the same.
It was a moment that would change the United States in ways that few Americans would immediately understand and many continue to find baffling. Years earlier, Pipes had been chosen to chair a highly controversial operation known as the Team B experiment in competitive analysis.
The decade of the 1970s had presented a series of strategic shocks to the United States. The Watergate scandal and the Arab oil embargo, campus protests, combined with the American military failure in Vietnam had shaken Washington’s own belief in the American narrative. Vietnam had removed the veil from America’s Cold War defense-intellectual elite, revealing their elaborate plans and complex mathematical formulas to be useless as a guide to action. But even before the end of that war in 1975, pressure had been building from a powerful collection of right-wing ideologues to ignore their own complete intellectual failure, wind back the clock and return to an openly militarized Cold War approach to the Soviet Union. Read more
Internationally acclaimed for her work, Kristina Borjesson has produced for major American and European television networks and published two groundbreaking books on the problems of the U.S. press: Into the Buzzsaw: Leading Journalists Expose the Myth of a Free Press & Feet to the Fire: the Media After 9/11, Top Journalists Speak out. Her awards include an Emmy and Murrow Award in TV, and the National Press Club’s Arthur Rowse award for Media Criticism and two Independent Publishers Awards for her books.
