Willie Wonka & the National Security State
9/11. New York’s twin trade towers exploded and vaporized in a hypnotic Old Testament moment. It was as if some invisible dark force had reached out and in one swift strike brought on a biblical, primeval Apocalypse. The destruction seemed to defy gravity itself as 200,000 tons of steel and 425,000 cubic yards of concrete fell so freely and effortlessly to the street below, it resembled a controlled demolition. This was no simple Pearl Harbor that could be avenged with a counterstrike of air and sea power. This was a poisonous wound to the American psyche, a more devastating act of psychological warfare than any military strike could ever have accomplished.
From ten years on, everything about 9/11 feels otherworldly and irrational, the reasons for it, the apparent helplessness in the face of it, the curious identities of the people involved and the American government’s response to it. It defied logic then and it still does. The World Trade Towers were proud symbols of who we were as early 21st century Americans, at least who we thought we were. After all, wasn’t the spiritual motto of the original 1939 Flushing, NY World’s Fair “World trade center” pavilion dedicated to “world peace through trade?”
There would be no peace after 9/11. The destruction loosed a demon that had been struggling for America’s soul since the creation of the Cold War in 1947. The U.S. would now be freed to pursue “evil” wherever it could be found and there would be no turning back. The creation of the World Trade Towers by Rockefeller brothers Nelson and David had been steeped in psychological symbolism from their start in the early 1960s. As the most well known scions of American business, the Rockefeller family brought more than just money to their endeavors, they brought a vision for the future of the planet and a philosophy to guide it.
Begun as a massive undertaking to revitalize lower Manhattan, Chase Manhattan Bank Chairman David and New York Governor Nelson pushed hard for the project and each tower stood as a symbol of their respective power. As metaphor, the towers were more than just two of the tallest buildings in the world. It might be said they were as important as the two pillars Joachim and Boaz which stood at the entrance to Solomon’s Temple; mystical gates to a Cathedral of wisdom in which all could worship under one religion; the religion of business, Capitalism.
The Rockefellers were no strangers to the power of psychological warfare and its impact on American opinion. During World War II Nelson had headed the U.S. government’s intelligence agency for Latin America, the Coordinator of Inter-American Affairs (CIAA). CIAA’s film division guided the 1942 production of Walt Disney’s Saludos Amigos to promote pro-American sentiment in South America. In 1954 Nelson was appointed as President Eisenhower’s White House special assistant on Cold War tactics and psychological warfare. Nelson Rockefeller played a central role in formulating domestic propaganda programs throughout the 1950s as chairman of the Planning Coordination Group which, in addition to its propaganda work, oversaw all CIA covert operations. His 1956 Special Studies Project directed by Rockefeller protégé Henry Kissinger produced many of the domestic policy recommendations that came to be known as President Kennedy’s New Frontier. His family’s philanthropic support of the arts had been carefully coordinated with the CIA and was both overtly and covertly propagandistic.
As a committed Anglophile, Rockefeller had aided British intelligence during World War II when he rented space in New York’s Rockefeller Center at a steep discount to a number of British propaganda agencies including their secret intelligence service for the Americas, the British Security Coordination (BSC). The BSC’s chief, Sir William Stephenson (Intrepid) set up shop in New York City with the help of some of New York’s wealthiest families with one main objective in mind: Get the United States into the war in Europe on Britain’s behalf.
One key agent in the psychological war for American public opinion was young RAF pilot Roald Dahl who along with James Bond creator Ian Fleming, playwright Noel Coward and Gallup pollster David Ogilvy were given free rein to commit sabotage, political subversion and propagandize “the natives” (Americans) through whatever means possible. Read more
